Menticulture Magazine
Naming
Branding
Editorial Design

Naming
Branding
Editorial Design

Menticulture is an independent, print-only arts and culture magazine created to champion Chelmsford’s creative community. Launched in January 2025, the magazine is published bi-monthly, with six hand-numbered issues produced over its first year.
Each issue brings together interviews, essays, short fiction, illustration, and cultural commentary, alongside a curated guide to upcoming local events. From the outset, Menticulture was conceived as a physical artefact rather than a digital product. Although you can buy the magazine online, you can only read it in print, encouraging slower, more intentional engagement with its content.
The name Menticulture—meaning the cultivation or exercise of the mind—was chosen to reflect the role of art and culture as active, participatory experiences. Rather than describing what the magazine contains, the name speaks to what it does: encouraging reflection, curiosity, and creative engagement. Its unfamiliarity and depth help position the publication as considered and editorially driven, rather than promotional or trend-led.
This intent is reinforced through the magazine’s visual and editorial design. Each issue is printed using a risograph process in black plus one additional colour, embracing constraint, texture, and variation as part of its character. A clear typographic hierarchy and modular grid system allow a diverse range of content to sit cohesively, while hand-numbering every copy reinforces its status as a limited, collectible object.
Since launch, Menticulture has received growing recognition. In April 2025 it was awarded the Outstanding Contribution Award at the 17th Annual Panic Awards in Chelmsford, has featured on local podcasts and radio shows, and in January 2026 Issue One was acquired by the Museum of Chelmsford, where it is now displayed as part of the city’s cultural record.
Menticulture was created to address a clear gap in the local cultural landscape: the absence of a thoughtful, tangible platform dedicated to Chelmsford’s creative output at a time when most promotion had become fragmented, ephemeral, and algorithm-driven.
The primary objective was to create a physical magazine that treated local culture with the same care, editorial rigour, and design quality typically reserved for national or international titles. Rather than chasing scale or speed, the focus was on depth, intentionality, and longevity—producing something that contributors would feel proud to be part of, and readers would want to keep.
A further objective was to demonstrate how naming, editorial thinking, and graphic design can work together to shape perception. The project needed to feel confident, distinctive, and culturally credible without relying on trend-led aesthetics or digital gimmicks. Design decisions were guided by restraint and clarity, allowing content to lead while establishing a recognisable visual language that could evolve issue by issue.
Finally, Menticulture aimed to strengthen the sense of connection within Chelmsford’s creative community by placing artists, writers, musicians, and organisers side by side within a single, coherent publication. By doing so, it positions local culture not as isolated activity, but as part of a broader, interconnected creative ecosystem.




Over its first year, Menticulture has established itself as a recognised and respected cultural publication within Chelmsford. Six bi-monthly issues have been produced and distributed, with multiple editions selling out and readers treating the magazine as a collectible object rather than a disposable read. The project’s contribution to the local creative scene was formally recognised in April 2025 with the Outstanding Contribution Award at the Panic Awards, and it has since been invited into wider conversations around culture and publishing through podcast and radio appearances. The acquisition of Issue One by the Museum of Chelmsford in January 2026 represents a significant milestone, positioning the magazine not just as a contemporary publication, but as a documented artefact of the city’s cultural history. More broadly, Menticulture demonstrates how clear intent, distinctive naming, and considered design can create lasting cultural value, even at a deliberately small and human scale.




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